Saturday, 29 September 2012

Cork and Kerry

 
I was in Cork last weekend for the first time, attending a conference on medieval things. I lived in Ireland for most of 2003 and 2004, so it’s always nice to go back, especially to a part of the country I’ve not visited before.

Most of what I knew about Cork came from the excellent Ken Loach movie The Wind That Shakes The Barley, which is set during the Irish War of Independence, so my knowledge was a bit out of date.

Another cheerful Ken Loach film

Anyway, conferences rarely leave much time for sightseeing, but as I walked through the city I was glad to see that my ethnic group was represented with its own ‘Sasanach’ market.


We also had a conference excursion to the Iveragh peninsula in County Kerry. It has some stunning coastal scenery and lots of quiet, slightly shabby villages full of the sort of family-run shops that I suppose were found everywhere once upon a time, but now exist only in these out-of-the-way corners of western Europe. In Cahersiveen we drove past one little shop which had two windows: the first was filled with toys and games for children, the second with funeral wreaths and decorated plaques for the dead. There’s something reassuring about a local shop which caters to your needs from cradle to grave.


But then Kerry has always been behind the times even by Irish standards. Our tour guide told us the story of the Fenian uprising of February 1867, when pockets of resistance fighters all over Ireland were supposed to rise up against the British in a coordinated rebellion.

The February rebellion was called off, but unfortunately the news didn’t reached Kerry in time. The small band of Cahersiveen rebels rose up according to plan, killed a few British police, and began to march to link up with their comrades in the east. Only then did they find out that they were completely alone.

That must have been awkward. It sounds rather like turning up to someone’s house in elaborate fancy dress, only to discover that the party has been cancelled and nobody told you. And then you get arrested and transported to Australia for life.

The British built this massive barracks to subdue the restless people of Cahersiveen. All 800 of them.


After this, the most important thing to happen in Kerry took place in 2001, when the public toilets in the coastal village of Portmagee came runner-up in the all-Ireland Best Public Toilets competition, as a weather-beaten sign proudly commemorates. Obviously I went into the toilets, literally ready to wee myself in excitement.


It was dark and dingy. There were no seats on the toilets. There was no soap in the soap dispenser, and the taps hardly worked. I walked back out into the cold Atlantic wind, taking care not to slip on the sad little puddles of water which lay across the tiled floor.

Standards had clearly dropped since 2001. Maybe, I thought, the disappointment of only coming runner-up had been too much. First the failed uprising of 1867, and now this. How much tragedy could one county endure?

There is nothing lush or bucolic about County Kerry; it’s a tough landscape of mountains and craggy coasts that lie naked to the battering western ocean. The soil isn’t good for much except scattered grazing and the most meagre cereal cultivation. If the ground isn’t rocky, it’s boggy.


Not that this matters, because this is the sort of place that takes pride in its history of adversity and struggle. Its inhospitable climate is what attracted some of the earliest Christian monks in Europe to build hermitages on tiny coastal islands, places at the edge of the known world, suited only to gannets and crabs. The tougher it was to survive, the better.


Those monks were crazy. Nowadays people are still attracted to Kerry’s stark beauty, but, being less crazy, they build modern houses with central heating and insulation and French windows looking out over the sea.

And hopefully decent toilets.

Monday, 10 September 2012

Necessary advice to all Poets and Dreamers


"You ask if your poetry is any good. You ask me. You have asked others before me. You send them to magazines. You compare them with other poems, and you get annoyed when certain editors decline your efforts. Now (since you have permitted me to give you advice), I beg you to give all that up. You see what is on the outside, and that, above all else, you must not do. Nobody can advise or help you, nobody.
There is only one solution. Enter into yourself. Explore the reason why you write; see if its roots reach down into the deepest place of your heart, ask yourself if you would die if you were forbidden to write. And above all: ask yourself, in the quietest hour of your night: must I write? Dig into yourself to find a deep answer. And if the answer is affirmative, when you can answer this serious question with a clear and simple ‘I must,’ then build your life around this necessity; your whole life, down to its meanest and most apathetic hour, must be a sign and certificate of this impulse."

Rainer Maria Rilke

(thanks to hc)